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Preparing PDF for electronic distribution
November 28, 2007
When a document is being prepared for electronic distribution as a PDF, it’s important that it be in RGB color throughout. This is true because a majority of desktop printers in consumer and office environments are RGB printers – not PostScript – so they don’t convert color well from CMYK to RGB and then back again.
Back again, you say? Epson’s ink-jet printers, for example, are at-heart RGB devices. If you send CMYK data, they first convert the CMYK into RGB by the simplest (read: unsophisticated) means, then convert that RGB into the necessary color set for the inks in that particular printer. It’s better to send RGB data in the first place.
When RGB files arrive at an ink-jet printer the colors are converted internally to the correct number of process colors, according to the capabilities of the printer.
These desktop printers often have only CMYK inks, while the top-of-the-line Epsons have eight colors of ink (actually a dramatically expanded CMYK gamut; they achieve it with eight containers of ink and eight print heads). Canon’s new professional printers have 12 colors of ink (C,M,Y,K, Photo Cyan, Photo Magenta, Red, Green, Blue, Matte Black, Gray, and Photo Gray) and must make the conversion of color information in the printer from its preferred space – RGB – to these colors on-the-fly, and that’s no small feat.
A CMYK file arrives at an ink-jet printer, where it will be converted to RGB in the printer's software, then back out to the greater number of process colors available on the printer. The conversion from CMYK to RGB is not often graceful; you'll get a better result if you send material in RGB color.
If you think about it, the need for RGB as input to these ink-jet printers is obvious. No normal CMYK process takes
light-light-gray or
light cyan into account. The onboard processors on these machines make those decisions as the jobs are printed.
Here is the scheme for making pure-RGB documents with Adobe
Distiller or
InDesign: Whatever combination of source color exists in the document – CMYK, grayscale, RGB, Lab – convert it at the time of creating the PDF into RGB using a single ICC profile appropriate to the audience and the image quality. If the destination is expected to be primarily office printers, then it’s smart to use the rather small
sRGB color space. If your audience is professional graphic arts practitioners or photographers with nicer printers, it is smart to use the more accommodating
Adobe RGB 1998 profile, which will result in a much nicer appearance for those who appreciate the effort.
In Acrobat Distiller (or InDesign’s
Adobe PDF Presets menu), choose Output, then select
Convert to Destination Color, and
include the profile. The resulting PDF will be forced to RGB color (this also works with grayscale if you need it). Once it’s complete, you can post this PDF online, and those who download it will be better able to print it on desktop and small office printers.
This is the Output settings menu from Adobe InDesign's PDF Presets menu. Notice that the Color Conversion is set to convert the entire document to RGB using the Adobe RGB color profile. Including the profile in the PDF file may not be necessary, but it is wise to include it in case the RIP or prepress systm you use needs one.
Posted by Brian Lawler on November 28, 2007 | Comments (0)